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 It's all about perspective. Anyone can tell a story. We were born a storyteller. But not everyone can tell it the way you do. So do it your way.

Semester 2 Basic Camera and Basic Editing - FF 521 E (Lecturer: Bayu Prihantoro Filemon) Semester 3 Camera and Sound Recording  - FF 531 E (Lecturer: Bayu Prihantoro Filemon) Semester 4 Documentary Production - FF 642 D (Lecturer: Petrus Damiami Sitepu) Corporate Video Production - FF 643 A (Lecturer: Petrus Damiami Sitepu) Sound Design and Online Editing - FF 541 D (Lecturer: Ignatius Krismawan) Film Scoring and Music Post-Production - FF 954 A (Lecturer: Jason Obadiah) Miscellaneous Vera Lestafa - Cinematography (Presented by International Design School)

Visual that looks pleasing to the eye does not necessarily mean that they have sufficient chroma and luminance information needed for the right color correction process. Codec makes a file smaller because that codec generally discards useless information. For instance, information about chroma red and blue. H264 that’s already been compressed into a smaller file can be uploaded and downloaded quickly. Despite looking just fine to the eye, it won’t provide as much discretion as the RAW files when grading. That happens because it contains only information of the colors displayed, so any adjustment made to the color would mess up the picture. Chroma Subsampling : compression of exposure and color information (can be seen in metadata). §         Luminance (Y): represents information about exposure/dark and light. §         Chroma Red : represents information about the colors red and green. §         Chroma Blue : represents information about the colors blue and yellow.

        Before shooting a film, there are a lot of questions that needs to be answered. But perhaps one of the most important question is: how are you going to frame your subject? Therefore, it’s essential for filmmakers to know some of the most common type of shots/frame size that can be used. Extreme close up (XCU/ECU) Source: premiumbeat.com 2.                2. Big close up (BCU) Source: studiobinder.com                3.  Close up (CU) Source: thefilmstage.com           4. Medium close up (MCU) Source: sites.google.com           5. Medium shot (MS) Source: eps-production.com           6. Medium long shot (MLS) Source: plazakamera.com           7. Long shot (LS/WS) Source: sinematografieducation.blogspot.com           8. Very long shot (VLS) Source:  sinematografieducation.blogspot.com           9. Extreme long shot (XLS/ELS) Source: studiobinder.com           10. Over the shoulder (